Defined the visual identity for Meta's Avatar Style 2.0: what 2 billion users' characters should look like, and the quality frameworks that kept it consistent across teams on three continents. Designed the parametric face and body systems underneath and directed the AI personalization model. Representation scores exceeded targets at 3.8 against a 3.0 goal.

Character Modeling Supervisor for Disney's 100th anniversary feature. Developed the 3D interpretation of Asha and managed a team of seven through production.

Developed the 3D visual language for the full cast, finding the balance between stylization and naturalistic emotion that unlocked director approval. Supervised a team of nine from early development through final delivery. VES Award for Mirabel. Academy Award for Best Animated Feature.

Modeled Sisu in human form and Tong, ensuring both characters' personalities came through in the geometry. Close collaboration with animation ensured the models performed across their full emotional range.

Created the universal biped topology that became Disney Animation's character standard. First shipped on Frozen II, still the foundation for every human character at the studio seven years later.

Reimagined iconic Disney Princesses including Ariel and Mulan to fit the film's visual direction. Also built Spamley and the avatar representations of internet users across the film's digital world.

Modeled new characters while leading the transition away from the studio's older topology archetype. The work balanced creative character building with a technical shift that would affect how every subsequent biped character was built across the studio.

Modeled Maui's shape-shifting forms and Teka the lava monster, balancing artistic vision with the technical complexity of characters that needed to deform and transform convincingly on screen.

Built diverse character models across the film's richly detailed world, from hero characters to supporting cast. Every model had to hold up in cinematic shots and theme park real-time applications.

Led visual development and full character execution for Walk, part of Disney+'s Short Circuit experimental shorts program. Responsible for the entire character pipeline from concept to final asset.

Modeled characters for Lucky Toupée and Cycles, Disney's first VR real-time short. Adapted feature-level character standards to the hard constraints of real-time rendering and VR performance budgets.

Handled character, set, and prop modeling for Aardman's feature, translating their stop-motion aesthetic into production-ready digital geometry while preserving the handcrafted feel of their signature style.

Modeled and refined the film's main characters, balancing visual appeal with technical precision. Every asset had to hold up under animation while staying true to the film's artistic direction.